Another note from 4/7/2009

I must remember that my own work on the theatre and philosophy must acknowledge and respond to the fact that I learn as much, or more, about philosophy and how to live from, say, Pirandello or Kushner or Chekhov, as I do from reading theory, philosophy, history, etc. One possible question for study could be, then, how do I learn differently in the theatre from nonfiction theory/philosophy books?